Three Poems
Wayne Koestenbaum
Volume One, Issue Two, “Air Bubbles,” Poetry
[regret’s a clod]
regret’s a clod—pebble impurity—in soul-mesh:
rinse scrim, render it
deathbed-transparent.
is idyll idle or iddle? non-anti-Semitic lute-
pluck’d lake we
tremolo-pass.
dance tune: “love the gefilte fish you’re with.”
rock it.
aunt Brünnhilde, I wake thee from fire-circle—
incest-lust-heft pumping
heldentenor reparative
durational duress.
mensch of you in my turkey stuffing slays—
perineum’s suspension
bridge, resolved.
dreamt he returned, fat-faced oiled prof
at moribund school
mailbox—dead letters,
dessicated wife, schizo son.
round mushroom-head of my heart you chop
death you subdivide
into half-moon minion-filets.
we break ourselves apart to make new vision-
biscuits out of
nothingness: the circle wept
to hear itself described as rhomboid, square—
sever thought from action,
let circling reverie
unhinge itself from deed.
I made gouache shapes on Thanksgiving be-
cause I needed to re-
member I was reputedly alive.
imagining Hannah Arendt crooning Brahms
lullaby over my Jason
Gould pseudo-incest cradle.
lemon zabaglione curve of me creating
a nonsensical
reason to dream backward.
faux pas to ask for a blurber’s copy: they dropped
my blurb from the book:
no shame to be an
omitted mouthpiece.
why shouldn’t messianic time fill me, as if yr
cock in the bathroom were
messianic time’s momentary
emissary cracking me open?
[upload to private]
upload to private album the yellow baseball
shirt photo wherein
I look Botoxed.
ladybug sentient yet stationary on Marimekko
shower curtain’s blue
calyx flame.
dreamt a gay literary critic reviled me, tore
up my dorm room’s
paltry wall-to-wall carpet
in Trilling rage-fit.
hordes of like-minded Wayne-haters gathered in amphitheater
to watch the slow
unpiecing—sleep cure
in snow-Alps a coddled Gulag.
nutty obscene tonic OCD Joan Crawford’s
My Way of Life’s
stomach gurgles from
unwise imaginary emetics.
strange unallegorical withies moving between a white
triangle overlap
an unevenly contoured
square (it won’t forgive you).
osculum underwater wanting my participation
in immoral acts—tongue-
drama, “always up
for getting blown, mister.”
“how thick is it?” thick enough to depopulate
Middlemarch—white
window-frame reflection
on black-jacketed Merleau-Ponty.
drapes acknowledging the slant “H” they bear,
flashback swastika
siphoned into
Mondrian eyelid-specter—
eye’s lid inside contains Mondrian
swastika condensation—paper
bag pleats echoing
crucifix or nude Raphael
Soyer limbs cut by horizon-line.
Lascaux butt, where human and antelope
converge—glute muscle
you’ll scapegoat ("she
let the ball drop”—
career condemners):
what was the ball? where did it drop?
Carolee held the ball—
j’accuse the male
old fart, moi, toi—
trois contes uncountable.
furry neighboring rejector, actor, dancer, mustache,
always a “th” in
your name to the-
atricalize its Irma Vep
(Vilna?) Ludlow-plush.
ghetto theater, curtain rod plunged into orifice
named “me” for
shorthand, explanatory
ease—to lube the theorem.
[blue tape-seam dividing]
blue tape-seam dividing debased sidewalk:
piss there, despite
sworn perv-abstinence?
stop mentioning lifelong tropism toward swollen
Stollen Swiss Miss
misbegotten Hello, Dolly!
a literary version of jazz hands he asked me
if I had: liquor
cardboard boxes flattened,
stacked, rope-tied.
wrapped nuptial mattress dead on street: green
gaffer’s tape upholding
spring’s Dylan-Thomas-
promised bog-surge.
her hennaed Frühlingsnacht hospice hair, a Bon
Ami scouring to undo
Napoli hostel boy-
teen flipflop-shuffle.
passing you, St. Vincent de Paul boarded up,
incorrigible fire truck
alarm ear-slashing
my zither opportunism.
hydrant water cock-plunges my sneaker-mesh:
beggar mouth and tyrant
mouth gagged by dialectic.
brutally Fitbit-interpellated, I fight bootless
back by fool-misplacing
wrist toy: reclaim it,
re-smooch w/ my
Fitbit jizz-interpellatee.
coveting your metallic sneakers, svelte flood-
trousered Puck outpacing
my origins-of-
totalitarianism lech-amble.
Stanley Tucci lookalike, veer away from me, IV
not finding its vein.
in pj’s she street-squats on milk crate, doyenning
over the auto-frigging
moi-daveners.
noli me tangere anti-Semitism’s mule-gait
a tapioca bubble I’ll gum.
radio's Ella Fitzgerald Santa Claus is coming to town quashing
(or simply syntagm-
bumping) my kindred’s
Botox stigmata, Yuletide
Juvéderm, AZT
joy-enwrapt $-pubis.
or Richard Tauber’s daffodils frost-seared:
geliebt ermordet Stars
and Stripes grave-kilt montage.
Wayne Koestenbaum — poet, critic, novelist, artist, performer — has published twenty books, including Figure It Out, Camp Marmalade, My 1980s & Other Essays, The Anatomy of Harpo Marx, Humiliation, Hotel Theory, Circus, Andy Warhol, Jackie Under My Skin, and The Queen’s Throat (nominated for a National Book Critics Circle Award). His first book of short fiction, The Cheerful Scapegoat, will be published by Semiotext[e] in April 2021. This year he received an American Academy of Arts and Letters Award in Literature. His literary archive is in the Yale Collection of American Literature at Yale’s Beinecke Rare Book and Manuscript Library. He is a Distinguished Professor of English, French, and Comparative Literature at the City University of New York Graduate Center. Find him at www.waynekoestenbaum.com.