Three Poems

Wayne Koestenbaum

Volume One, Issue Two, “Air Bubbles,” Poetry

[regret’s a clod]

 

regret’s a clod—pebble impurity—in soul-mesh:

         rinse scrim, render it

         deathbed-transparent.

is idyll idle or iddle?  non-anti-Semitic lute-

         pluck’d lake we

         tremolo-pass.

dance tune:  “love the gefilte fish you’re with.”

         rock it.

aunt Brünnhilde, I wake thee from fire-circle—

         incest-lust-heft pumping

         heldentenor reparative

         durational duress.

 

mensch of you in my turkey stuffing slays—

         perineum’s suspension

         bridge, resolved.

dreamt he returned, fat-faced oiled prof

         at moribund school

         mailbox—dead letters,

         dessicated wife, schizo son.

round mushroom-head of my heart you chop

         death you subdivide

         into half-moon minion-filets.

we break ourselves apart to make new vision-

         biscuits out of

         nothingness:  the circle wept

 

to hear itself described as rhomboid, square—

         sever thought from action,

         let circling reverie

         unhinge itself from deed.

I made gouache shapes on Thanksgiving be-

         cause I needed to re-

         member I was reputedly alive.

imagining Hannah Arendt crooning Brahms

         lullaby over my Jason

         Gould pseudo-incest cradle. 

 

lemon zabaglione curve of me creating

         a nonsensical

         reason to dream backward.

faux pas to ask for a blurber’s copy:  they dropped

         my blurb from the book:

         no shame to be an

         omitted mouthpiece.

why shouldn’t messianic time fill me, as if yr

         cock in the bathroom were

         messianic time’s momentary

         emissary cracking me open?

 

[upload to private]

  

upload to private album the yellow baseball

         shirt photo wherein

         I look Botoxed.

ladybug sentient yet stationary on Marimekko

         shower curtain’s blue

         calyx flame.

dreamt a gay literary critic reviled me, tore

         up my dorm room’s

         paltry wall-to-wall carpet

         in Trilling rage-fit.

hordes of like-minded Wayne-haters gathered in amphitheater

         to watch the slow

         unpiecing—sleep cure

         in snow-Alps a coddled Gulag.

  

nutty obscene tonic OCD Joan Crawford’s

         My Way of Life’s

         stomach gurgles from

         unwise imaginary emetics.

strange unallegorical withies moving between a white

         triangle overlap

         an unevenly contoured

         square (it won’t forgive you).

osculum underwater wanting my participation

         in immoral acts—tongue-

         drama, “always up

         for getting blown, mister.”

“how thick is it?”  thick enough to depopulate

         Middlemarch—white

         window-frame reflection

         on black-jacketed Merleau-Ponty.

 

 drapes acknowledging the slant “H” they bear,

         flashback swastika

         siphoned into

         Mondrian eyelid-specter—

eye’s lid inside contains Mondrian

         swastika condensation—paper

         bag pleats echoing

         crucifix or nude Raphael

         Soyer limbs cut by horizon-line.

Lascaux butt, where human and antelope

         converge—glute muscle

         you’ll scapegoat ("she

         let the ball drop”—

         career condemners):

 

what was the ball?  where did it drop?

         Carolee held the ball—

         j’accuse the male

         old fart, moi, toi

         trois contes uncountable.

furry neighboring rejector, actor, dancer, mustache,

         always a “th” in

         your name to the-

         atricalize its Irma Vep

         (Vilna?) Ludlow-plush.

ghetto theater, curtain rod plunged into orifice

         named “me” for

         shorthand, explanatory

         ease—to lube the theorem.

 

 

[blue tape-seam dividing]

  

blue tape-seam dividing debased sidewalk:

         piss there, despite

         sworn perv-abstinence?

stop mentioning lifelong tropism toward swollen

         Stollen Swiss Miss

         misbegotten Hello, Dolly!

a literary version of jazz hands he asked me

         if I had:  liquor

         cardboard boxes flattened,

         stacked, rope-tied.

wrapped nuptial mattress dead on street:  green

         gaffer’s tape upholding

         spring’s Dylan-Thomas-

         promised bog-surge.

  

her hennaed Frühlingsnacht hospice hair, a Bon

         Ami scouring to undo

         Napoli hostel boy-

         teen flipflop-shuffle.

passing you, St. Vincent de Paul boarded up,

         incorrigible fire truck

         alarm ear-slashing

         my zither opportunism.

hydrant water cock-plunges my sneaker-mesh:

         beggar mouth and tyrant

         mouth gagged by dialectic.

brutally Fitbit-interpellated, I fight bootless

         back by fool-misplacing

         wrist toy:  reclaim it,

         re-smooch w/ my

         Fitbit jizz-interpellatee.

 

coveting your metallic sneakers, svelte flood-

         trousered Puck outpacing

         my origins-of-

         totalitarianism lech-amble.

Stanley Tucci lookalike, veer away from me, IV

         not finding its vein.

in pj’s she street-squats on milk crate, doyenning

         over the auto-frigging

         moi-daveners.

  

noli me tangere anti-Semitism’s mule-gait

         a tapioca bubble I’ll gum.

radio's Ella Fitzgerald Santa Claus is coming to town quashing

         (or simply syntagm-

         bumping) my kindred’s

         Botox stigmata, Yuletide

         Juvéderm, AZT

         joy-enwrapt $-pubis.

or Richard Tauber’s daffodils frost-seared:

         geliebt ermordet Stars

         and Stripes grave-kilt montage.

 
 
Self-Portrait with Stripes, 2020, acrylic on paper, 18 x 24 inches.

Self-Portrait with Stripes, 2020, acrylic on paper, 18 x 24 inches.


Wayne Koestenbaum — poet, critic, novelist, artist, performer — has published twenty books, including Figure It Out, Camp Marmalade, My 1980s & Other Essays, The Anatomy of Harpo Marx, Humiliation, Hotel Theory, Circus, Andy Warhol, Jackie Under My Skin, and The Queen’s Throat (nominated for a National Book Critics Circle Award).  His first book of short fiction, The Cheerful Scapegoat, will be published by Semiotext[e] in April 2021. This year he received an American Academy of Arts and Letters Award in Literature.  His literary archive is in the Yale Collection of American Literature at Yale’s Beinecke Rare Book and Manuscript Library. He is a Distinguished Professor of English, French, and Comparative Literature at the City University of New York Graduate Center.  Find him at www.waynekoestenbaum.com.